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Here is what critics are saying after Gogol Bordello’s electrifying set on the main stage at Coachella…

“I decided that Gogol Bordello are the world’s most perfect festival band!”
-Whitney Pastorek, Entertainment Weekly

“They came, they saw, they conquered. Would we expect anything less?”
-Adrienne Lake, Arizona Daily Star

This hodgepodge of ethnicities and their infectious energy won over
the festival from the main stage. … Eugene Hutz and his acoustic
guitar slapping (think Les Claypool’s hands, but on a six-string) and
waving arms summoned the crowd– which quadrupled in size by the set’s
fourth song. Festivalgoers were literally running toward the stage.
– PITCHFORK.COM

“…memorable performances of the day came from gypsy punk act Gogol Bordello,
which didn’t stop moving the crowd throughout its set on the main stage.”
-Mitchell Peters, Billboard

“Gogol Bordello mashed punk energy with Eastern European modes for a set
that received the wildest reception of any show I saw. Gogol Bordello’s
leader Eugene Hütz introduced one song as “about the lost art of
celebration.” Not at Coachella when inspired lunacy takes over.”
-Jim Fusilli, Wall Street Journal

“Gogol Bordello celebrates sensuality in both words and raucous, joyful
internationalist dance rock — head music took over much of the festival.”
-Ann Powers, Los Angeles Times

“Eugene Hutz easily ranks among the most colorful characters to ever grace
this particular stage.”
-Ben Wener, Orange County Register

“Gogol Bordello’s brand of gypsy funk – featuring violins, accordions and
much more – was a huge success on the Coachella stage during Sunday’s midday
heat.”
-Wes Woods, The Daily Bulletin

“Rollicking, rambunctious and a ton of fun, Gogol Bordello’s set was one of
the highlights of the festival.”
-Chris Carle and Todd Gilchrist, IGN Entertainment